Jun
11
2010

One of Dozens of Several Hundred Foot Lamoille Canyon Waterfalls
This Post and accompanying gallery addition were intended to include a fairly comprehensive shoot of two important examples of the sky-island aspect of saline environments: Great Basin National Park and Lamoille Canyon in the Ruby Mountains. Both are isolated high-elevation alpine ecosystems in Central Eastern Nevada.
Things often don’t go as projected, so I can only provide a few good images from what was a largely botched expedition. Fortunately, I can blame almost everything on the weird weather that we’ve been having this year. One of the problems with a winter that extends into June is that, eventually, it has to warm up, and when it does, Summer temperatures ensue without regard for those absent Spring months which have fallen by the wayside, discarded by mother nature. Then months of snow melt are compressed into days or weeks and havoc reigns at elevation.
The general concept of the sky-island is an easy one to explain. Millions of years ago the rocks of the great basin were pulled apart resulting in what is called basin-and-range topography: long north-south oriented high-elevation ridges separated by similarly oriented flat valleys. Thousands of years ago, when everywhere was cool and wet, all of this terrain was covered with either forest or alpine tundra above the forest. As global warming progressed, long before human utilization of fossil fuels, things heated up and dried out. The valleys became desert and the ranges became isolated, forested ecosystems. These small mountainous regions are similar because they share their beginnings in a unified whole and have had a similar environmental history, but all are also somewhat different because they have been isolated from one another, by the intervening desert, for some time.
If you are interested in a more involved and informed explanation please consider “The Sagebrush Ocean: A Natural History of the Great Basin” by Stephen Trimble or “The Desert’s Past: A Natural Prehistory of the Great Basin” by Donald K. Grayson. These are the best books on the subject. The first is more of an extremely-well curated photography exposition and fluid narrative intended for layman readers while the second is a scientific treatise valuable to those of us willing to put up with large amounts of dry text in order to find answers to the perpetually recurrent question: “I wonder how they figured that out?”
The thing that most people miss when considering the mountains of the great basin is that these are, although limited in aerial extent, serious kick-ass mountains. The elevation of Wheeler Peak at the tippy-top of Great Basin National Park is 13,063 ft — exceeding the tallest peaks in Idaho, Arizona and Montana and just a bit shy of the top spots in Utah, Wyoming and Nevada (in the Sierra Nevada). When you toss in the associated facts that the great-basin high points are often little used and visited, haven’t anything resembling cell-phone service, are largely lacking in navigable roads to the top-parts (or lower-middle-parts even), have lousy trail systems, and are often only accessed by traveling dozens and dozens of miles on dirt, these can range from daunting to downright intimidating.
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no comments | tags: Elko, Great Basin, Great Basin National Park, Lamoille Canyon, Nevada, Photography, Photomatrix, Photoshop, Ruby Mountains | posted in Landscape, Macro Photography, Medium Focal-length, Photography, Photoshop, Travel
May
20
2010

Pepper: The Official Photography Project Dog
It has been a miserable spring here in the mountains of Utah. Very similar to the Cubs season this year, the weather has reached 500 (the statistical midpoint between a good year and a bad one) numerous times only to collapse into an abhorrent free-fall requiring a good sense of humor.
This unfortunate spring has been made all the worse by the fact that my children were attending different high schools and their vacations did not coincide. So the photography project should evolve into an almost year-long thing in this instance. Hopefully anyway. This year, in particular, I’m looking forward to my kids’ release from academia more so than are my kids.
Right now I’m fleshing out my new site with photography and illustration galleries that have been long promised but not delivered. Something more important invariably pops up. I’m giving it a good go now so I should be posting quite a bit of the imagery that has been laying about my desktop for a while.
These should include some studio food and spirits and portrait work (separate projects), Vancouver photography from last November, Saline Environments project work as it crops up, and some more resort HDRI. That’s all I can think of at the moment, but there are probably more bunches of unprocessed photos in hiding here and there on the occasional hard-drive.
I’ll also be posting the periodic babble regarding the state of the digital world, films and so forth. So I should be hitting the blog a bit more than I have lately over the next month or so.
I’m switching over to a Cannon 7D as my main camera and am tempted to include a bit of video here and there as well.
The Saline Environments Project, thus far, has brought Kate and I out on four short trips. One to Stansbury Island and the Saltair area on the southern shore of the Great Salt Lake, two to Antelope Island (an island on the southeast side of the lake populated with, ironically, bison) and a very early Spring trip across the Utah West Desert on Route 80 to the Bonneville Salt Flats ( in the vicinity of Wendover Nevada), which were, at the time, covered with water. It is a pleasure doing a project that has so many pieces so close to home.
I vividly remember my first trip to Death Valley National Park about five or six years ago. It was intended as a three-day excursion from a longer trip in Las Vegas. We drove well into the night, camped and, on waking, took a short drive in the middle, lowest elevation parts of the park, only to realize that we had gone so far and had ended up in what is, essentially, the Great Salt Lake (hotter, drier version). We do intend to make it back there as part of this project, but largely as a matter of completeness. It is, after all, the capital of the terrestrial-brine world.
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no comments | tags: Antelope Island, Bison, Great Basin, Great Salt Lake, HDRI, Photomatrix, Photoshop, Saline Environments, Stansbury Island | posted in Architecture, HDRI, Landscape, Medium Focal-length, People, Photography, Photoshop, Telephoto, Travel
Apr
4
2010
Here we go. The calendar has rolled around again to the beginning of yet another baseball season. It is the all-too-often-way-too-brief period when those of us, who are faithful to the mighty Chicago Cubs, can truly believe that all will go well and that this year is, indeed, the year of Cubby Blue and not the Cubby blues. Those who can’t comprehend should contemplate Camus’ “The Myth of Sisyphus”. He understood what it is to be a Cub’s fan: that there is an absurd pleasure in the act of rolling of the rock to the top of the hill, only to somehow find it at the bottom again, and begin the process anew. As a child of sunny summer places, he knew that: if you are under the open afternoon sky and it is summer and you are alive, things can’t really be all that bad.
This new year finds us in heady and important days for the late-middle parts of a rather nasty recession. Apple has, perhaps, forced an enormous change in the way we consume our, well, everything; a new iteration of Adobe’s Creative Suite is about to appear as if from nowhere; and, at least where I live, Spring has suffered an enormous setback. A whole passel of nasty storms, over a five-day period, has dumped 30 to 50 inches of fresh whiteness all over the Wasatch Mountains at the close of what had been a snow-depleted Winter. This results in a temporary suspension of belief in the concept of Spring which can only be relieved with the onset of televised baseball from distant lands.
The assault on Flash by Apple and the belief that this will result in a resurgence of an economically-viable old media in modified form is the really big story: a thing that may make a difference in the way people go about their lives five-years hence. Whether this will all pan out remains to be seen. The success of the “magical device” and pending tablets of similar functionality is undeniable. That this will resuscitate old media is a much dicier question. The answer is probably no and this last hopeful emergence is a bit of a sad ghost-dance. It would be a very good thing if everyone who watches kittens-flushing-toilets on YouTube suddenly switched to reading lengthy articles, full of thought, complicated sentence structure and good design, on their portable devices. Unfortunately this great hope for a new world order relies on a certain sensibility on the part of the public which has, long ago, left the building. Free is difficult to beat as well. If the accumulators of others work could just disappear before those who actually do the work which is accumulated, that would be a small step in the right direction.
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no comments | tags: Chicago Cubs, Dreamweaver, flash, Flex, Ipad, Photoshop | posted in Chicago Cubs, Dreamweaver, Flash, Flex, InDesign, Interactive Design, Magazine, Publishing, javascript
Jan
17
2010

Things get strange on a Phoenix winter's evening.
I’ve encountered a few of the symptoms lately. I’m sure that, although unique, they are not unique to me. First there was the realization that a magpie had filled my ski boots with dog food. I wasn’t upset. It lives in the backyard of it’s own volition and had made it’s way into the garage every now and then. I’ve taken to calling it Frederick. Magpie’s have an historical Prussian aspect about them. I just threw out the old boots.
Then there was the time I saw the woman in the SUV in the Blockbuster Video parking lot and instantly recognized her as the wife of the American ambassador to China. (I think her husband may make a decent president some day; Just saying).
And, when given a choice between spending the week between Christmas and New Years skiing the finest snow on earth at my own doorstep, or venturing to a slightly chilly Phoenix, I chose Phoenix with only minimal hesitation.
Losing all regard for ski equipment, recognizing the local celebrities, skipping town during one of the best weeks of the year, I may have lived in Park City, Utah for too long.
Phoenix was a lot of fun. My girls and I ascended all the requisite Phoenix promontories: Camel Back, Squaw Peak, South Mountain; visited the world’s first Windows Store (no big whup); did a little hiking around Tucson; visited the Sonoran Desert Museum and the University of Arizona (both girls want to apply to this one as well); and the whole family unit did the Tempe New Years Eve thing (the Doobie Brothers, absent one significant component). It was in the low sixties most of the afternoons, so a bit chilly. But there was no snow. And I think I’ve come to think of that as a good thing.
Two items, worthy of note, occurred. First there was the marching band:
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no comments | tags: Arizona, HDRI, Phoenix, Phoenix Botanical Gardens, Photography, Photomatrix, Photoshop | posted in HDRI, Medium Focal-length, Photography, Travel
Dec
17
2009

The Sears Tower: Exemplar of American Ambition
Chicago has never looked better. I’m referring to the city and not my photography. I spent another couple weeks in the city; two days of which were given to wandering around the loop (the city’s lofty core) with a couple of cameras. I had intended to spend five days photographing but found myself returning to Utah on short notice. So the diversity of images isn’t as great as I would like. Everything, almost, is wide-angle HDRI of architecture.
I keep finding myself back there. So after another couple of winters I should have a good set of photographs. The very urban provides a nice balance to the bulk of my nature-based work.
I’m fond of HDRI for a place like Chicago. The world is crawling with images of the buildings of Chicago and HDRI offers a lot of artistic potential to make things weird when you want to go that way. Also, the dynamic nature of a big metropolis, where people are of less significance relative to their environment, fits HDRI very well. Walking people and moving cars on a city street become ghosted and part of the image in a way that suits the ephemeral reality well.
The images were all processed initially with photomatrix and then with camera raw and standard photoshop techniques. The new photomatrix exposure fusion technique was used extensively (and I really like it). Several images are blended composite panoramas.
Also I love it when it’s cold. I think it is the low level of the sun in the sky and clarity of the air, in addition to the hard nature of the subject matter. Chicago photographs best when below freezing.
I’m not sure where the source of Chicago’s current good-looks lies. The city may simply be all decked out for the Olympics that wasn’t. Or it could be an artifact of the economy that shouldn’t have been. Now, the general tone of the people I met, the conversations I overheard, and the chatter over the airwaves was decidedly down. More so than when I was there this past summer or last winter.
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no comments | tags: Architecture, Chicago, Photography, Photomatrix, Photoshop | posted in Architecture, HDRI, Landscape, Travel