No Boundaries

It’s been a while.  A few small projects have jumped up here and there and I’ve been busy redoing my own site. Please excuse the mess. I’m at a stage now where I like having it both up and under construction at the same time. It may be a while before I get around to finishing things up completely (separate style sheet for the iPad). I have a lot of galleries to tend to and will be in fairly substantial trouble if I get busy with other things — having put stuff up while only partially complete.

Much has happened in the  feud, war, imbroglio or whatever between Apple and Adobe since my last post.  I hesitate to use the word amazing, but it does seem appropriate. This morning NPR mentioned that the Feds are getting involved. It would be good, I think, for a few enlightening rays of sunshine to find some way into the story. That may be what the Federal government can provide. On the other hand I hate to see things come down to Federal investigations and the lawsuits that often ensue thereafter.

Since my last post, the Wall Street Journal has reported that modifications to the Apple OS, made by Apple, are likely responsible for many of the problems that Apple users are encountering with Flash; Apple, in an out-of-nowhere unilateral swipe has excluded Flash developers from the iPhone/iPad platform via language in the developer’s agreement; Google has responded by jumping right into bed with all of the spurned Flash developers (May 20th should be an exciting day as the Flash – Android marriage is formally announced); Apple has patented pretty much every conceivable hand gesture; Steve Jobs penned a really long letter about Flash; Microsoft has canned the Courier; HP has dropped the Slate and picked up Palm; Adobe’s top Flash evangelist has used the “screw” word in formal reference to Apple; Adobe has released CS5; and now rumors of the Federal inquiry into Apple. Wow. These are exciting times. I’m thinking that Adobe  has the upper hand at present, but it all is starting to look like a lengthy prize fight where the lead changes every other round and both combatants leave in worse shape than they began.

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Here we go. The calendar has rolled around again to the beginning of yet another baseball season. It is the all-too-often-way-too-brief period when those of us, who are faithful to the mighty Chicago Cubs, can truly believe that all will go well and that this year is, indeed, the year of Cubby Blue and not the Cubby blues. Those who can’t comprehend should contemplate Camus’ “The Myth of Sisyphus”. He understood what it is to be a Cub’s fan: that there is an absurd pleasure in the act of rolling of the rock to the top of the hill, only to somehow find it at the bottom again, and begin the process anew. As a child of sunny summer places, he knew that: if you are under the open afternoon sky and it is summer and you are alive, things can’t really be all that bad.

This new year finds us in heady and important days for the late-middle parts of a rather nasty recession. Apple has, perhaps, forced an enormous change in the way we consume our, well, everything; a new iteration of Adobe’s Creative Suite is about to appear as if from nowhere; and, at least where I live, Spring has suffered an enormous setback. A whole passel of nasty storms, over a five-day period, has dumped 30 to 50 inches of fresh whiteness all over the Wasatch Mountains at the close of what had been a snow-depleted Winter. This results in a temporary suspension of belief in the concept of Spring which can only be relieved with the onset of televised baseball from distant lands.

The assault on Flash by Apple and the belief that this will result in a resurgence of an economically-viable old media in modified form is the really big story: a thing that may make a difference in the way people go about their lives five-years hence.  Whether this will all pan out remains to be seen. The success of the “magical device” and pending tablets of similar functionality is undeniable. That this will resuscitate old media is a much dicier question. The answer is probably no and this last hopeful emergence is a bit of a sad ghost-dance. It would be a very good thing if everyone who watches kittens-flushing-toilets on YouTube suddenly switched to reading lengthy articles, full of thought, complicated sentence structure and good design, on their portable devices. Unfortunately this great hope for a new world order relies on a certain sensibility on the part of the public which has, long ago, left the building. Free is difficult to beat as well. If the accumulators of others work could just disappear before those who actually do the work which is accumulated, that would be a small step in the right direction.

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Warning:  This is a long and boring post.

It’s been a few months since the Fall ’08 release of Adobe CS4 and I’ve moved slowly through the various learning curves of the Design Premium products.  I’d like to preface my thoughts with a few statements.  I use both Windows and Mac operating systems at various times, mainly having to do with whom I’m working for or with.  The Adobe interface is generally the same on both platforms.  However many of the programs in the creative suite perform differently on the two platforms and the version of the operating system being run.  I’m not a participant in the Window’s versus Mac debate.  I think they both have upsides and downsides and leave that to the really big thinkers.  I work with mining companies sometimes and they simply don’t do the Apple thing.  Next, I’ve been an Adobe devotee of sorts for a while now.  So I come to every new release with a real sense of jump-up-and-down, yippie, it’s-Christmas-morning giddiness.  And, last, I use the Design Suite only, though I’m toying with Flex.  Where it falls into the system that Adobe uses to organize its products is somewhat unclear to me.

Now on to the brass tacks: Continue reading